I liked Zun Zun Egui and I liked the way the dude incorporated slagging off the placid London audience into his frankly weirdo vocal style and managed to make it sound pretty cool still. They were a bit 'world jazz' but enough psychedelic for it to not be a problem when it went all virtuoso instrument noodling. Yeah, fun.
Arrington De Dionyso is fucking terrible and drove me to up my drinking which meant that by the time Flowers/Corsano came on I was too easily distracted by stuff like Big Alan getting punched by a teenager outside and like, pinball.
Chris Corsano looks like he's just been born, like he just fell out of a vagina onto a drumkit and started hitting them and my theory here helps to explain why he plays like he's never heard anyone else play the drums before. Which is a good thing, in this case, in case you were wondering.